![]() Thus a Fugue has complex layers of very different voices, and does not use harmonic help from an accompanying instrument, however the voices themselves form the progressions which give music the "atmosphere". harmonies! Which is one of the reasons why it is IMHO the hardest kind of piece to write. For example, the Fugue is an essentially polyphonic structure, however the voices, when played on top of each other, actually form. There are kinds of music that combine more than one of those though. Is it one voice, but with the different instruments/sources of the sound starting out as playing the same thing, and then having slight modifications and going back and forth between playing the same thing and playing things with slight differences? That's heterophony (by far the most common in amateur orchestras, accidental homophony <- note: this is a joke ). Is it a melody accompanied by a harmony or a harmonic progression? That's homophony (by far the most common in popular, non-classical music of the 19th-20th century). Is it based on different voices played at the same time? That's polyphony (poly + phonos = many sounds). is the whole thing just a simple melody? That's monophony (mono + phonos = one sound like almost all old religious songs around the world, and definitely one of the oldest kinds of music in existence, if not the oldest). ![]() ![]() The way the music is presented.īasically. To elaborate, they are "ways" to construct the musical discourse of a piece. polyphony (noun polyphonic adjective): two or more parts sung or. Some of the music of Asia demonstrates polyphony, which is part of the reason why Asian music sounds so alien to Western listeners. Explanations and musical examples can be found through the Oxford Music Online. They are terms pertaining to composition, not to performance or reproduction. Gregorian chants are an excellent example of homophonic music.
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